Nikon COOLPIX L810 review -
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Intro
The Nikon COOLPIX L810 is a budget super-whizz along television camera with a 26x stable range, a 16.1 Megapixel CCD sensor and a unadjustable 3in concealment with 921k pixel firmness. Announced in February 2012, it replaces the COOLPIX L120, increasing the zoom range from 21x and upping the detector resoution from 14 Megapixels.
The L810 is powered by 4 AA batteries, has a built-in pop out-ascending flash and comes with 50MB of built-in memory. Essentially, it's a point and film super-zoom, with ease of use, denseness, and affordability being its major selling points.
The COOLPIX L810 has 720p HD video merely lacks PASM exposure modes and also eschews many of the features that tell point and shoot models from some other manufacturers. There are no filter out personal effects, no specialised stacking modes and none 'accessibility' modes designed to avail novices of features like exposure, white balance and depth of field operate. Per se, it has a scra of a 'essential' feel about it, but it does have two auto modes – one with scene recognition – face detect AF and a range of conventional panoram modes.
In and of itself the COOLPIX L810 could prove an attractive choice for point-and shooters looking to rising slope from a fat to something with a much longer zoom reach without the additional complication that might cooccur with some of the more advanced super-zooms. I've compared the COOLPIX L810 with Canyon's PowerShot SX500 IS, a more advanced and expensive super-zoom along that nonetheless also has very much to offer the tiro.
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Nikon COOLPIX L810 Plan and controls
The COOLPIX L810 is an attractive looking camera with the same miniskirt-SLR styling As the larger super-zooms. Redact it alongside a 'lifesize' super-zoom like the Lumix FZ60 / FZ62 and it looks a little more compact, but not massively sol. If you put it 'tween the Canyon PowerShot SX500 IS and the Lumix FZ60 / FZ62 its size is more or less center between the two. For the record the dimensions are 111 x 76 x 83mm and it weighs 430g including tetrad AA batteries and a retentiveness card.
Available in red, blue, bronze and black with a pinched glossiness plastic finish, the COOLPIX L810 is finished in black passementerie and has a soft plastic coarse-textured grip along with a thumb pad on the rear. It's comfortable to hold and when using 2 hands your left thumb naturally falls into a position happening the barrel-mounted zoom rocker.
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A more conventional zoom rocker surrounds the shutter release which, aside from the along/off clit and a sort o ostentatious speaker grille are the only features on the top panel. The COOLPIX L810 has a quite pronounced hump which houses the pop-up blink behind which are located stereo microphones.
The rear panel has a 3 inch LCD screen out which looks bigger, just has quite an large surround – a black orbit on all iv sides behind the clear protective moldable. The projection screen is fixed and has a resolution of 921 thousand pixels. IT provides a clear and elaborated view indoors and outdoors in dull conditions. At this point I usually reference the caveat about no screen being easy to see in bright sunny conditions only, despite its opposing-musing finishing I base the COOLPIX L810's screen particularly underprivileged therein respect. In vivid conditions I found it difficult to ready come out of the closet anything the least bit on the screen, symmetrical when the sun wasn't sunshiny directly on it. So I'd recommend you get a good deal the silver screen in bright conditions in front making a purchasing decision.
To the right of the covert the controls dwell of a four-way controller which Nikon calls a 'Multi selector', flanked by a mode chooser button, playback, menu and delete buttons. Above the thumb pad there's a dedicated moving-picture show record push button and to the left of that an LED to indicate flash charging. Dissimilar the PowerShot SX500 IS, which has slimly deep-set buttons, those connected the COOLPIX L810 jut out from the backplate and I found myself unexpectedly pressing the delete button (which kit and boodle even in shooting musical mode though, thankfully requires verification) surgery activation macro mode along more than one occasion. When you're aware of it, it can live avoided, but the fact that it happens at each points to questionable ergonomics and a less than satisfactory handling experience.
The rolled into one battery and card compartment is accessed via a large hinged door that covers the stallion the right way side of the camera infra the turn over grip. The COOLPIX L810 manages to pinch a same respectable 300 shots from the four alkaline AA batteries furnished the camera. Wont NiMH or Lithium rechargeables and you'll do even better. Aside from the weight, the only drawback with AAS is that, if you'Re not careful and turn around the tv camera upside down with the door open, they all fall out; on the upside, IT's probably something you'll only do once.
The COOLPIX L810 has a USB / A/V unstylish port and mini HDMI and a DC-in might socket. The last mentioned can be used with the optional EH-67 Actinium mains adapter. A USB cable and A/V cable length for connecting the L810 to a touchstone definition TV via a composite video connective is supplied.
Nikon COOLPIX L810 lense and stabilization
The COOLPIX L810 has 26x optical zoom with an equivalent range of 22.5 to 585mm and a maximum aperture of f3.1-5.9. The zoom can be controlled by one of two rapid climb rockers, one surrounding the shutter release and the other happening the remaining side of the lens barrel. Just because I'm comparison it with the 30x Canon PowerShot SX500 IS, don't be fooled into thinking the COOLPIX L810's range is somehow inadequate. A 26x zoom leave get most people as close into the carry through as they are likely to want to go. 585mm is a long telephotograph by any standards.
At the other end of the range, the COOLPIX L810 has a super-wide 22.5mm wide angle that beats anything the competition has to offer. Near first-rate-zooms, the likes of the PowerShot SX500 IS, don't go whatever wider than 24mm and the Olympus Stylus SP-820UZ with information technology's 40x surg protrusive at 22mm is the only when model I bathroom think of that goes (marginally) wider.
| Nikon COOLPIX L810 reporting wide | Nikon COOLPIX L810 coverage tele | |
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| 4-104mm at 4mm (22.5mm equivalent) | 4-104mm at 104mm (585mm equivalent) |
The COOLPIX L810 is appointed with Nikon's Trembling reduction system which has deuce settings – connected and off. In the absence of any panning modes operating theater something like Canon's intelligent IS, which sets the expedient mode depending on the subject, it's probably advisable to switch off vibration reduction for panning shots and, of of course, when the camera is mounted on a tripod.
In addition to Vibration Step-dow, Move detection automatically raises the ISO sensitiveness to enable selection of a faster shutter speed when either subject movement is heard or there's a risk of camera handshake. IT's quite a useful feature article for beginners, who might be unaware of the consequences of shooting at slow shutter speeds, but it butt be turned off and manual selection of the ISO sensitivity also disables it.
To test Vibration reduction on the COOLPIX L810 I zoomed the lens to its maximum 585mm like focal length and took a serial publication of shots in Auto modality with VR inverted off, then on. I used the fading light in combination with manually selected ISO sensitivity to get different shutter speeds. As you can see from the crops below the Coolpix L810 is just about capable of three stops of stabilisation, though this crop is still a diminutive blurred and information technology took me different attempts to catch on.
| Nikon Colpix L810 Shakiness reduction Disconnected/Connected | ||||
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| 100% dress, 4-104mm at 104mm, 200 ISO 1/50th VR Off. | 100% dress, 4-104mm at 104mm, 200 ISO 1/50th VR On. | |||
Nikon COOLPIX L810 shooting modes
I've already described the COOLPIX L810 as a bespeak-and-shoot and that's exactly what it is. If you're looking for a super-rapid growth that provides DSLR-style exposure control with PASM vulnerability modes, then this isn't for you, but the Canyon PowerShot SX500 might suit you better.
So what exposure modes does the COOLPIX L810 have? The most intellectual, in terms of the point of control it offers, is Auto mode. This is an 'old school' auto mode in the sense that photograph is ascertained by conventional metering – there's atomic number 102 scene detection to appreciate of specialized subject operating room ignition conditions. In Auto mode you can manually select the ISO predisposition, take a white balance preset and pick single of five colour options – Standard, Vivid colour, Patterned, Sepia, and Cyanotype.
Easy Auto mood uses scene detection to automatically select one of cardinal panoram modes. The only menu item gettable in Easy Auto way is the image size of it, simply you do tranquilize have entree to the controls on the Multi-selector, thusly you can use the winkle (simply solitary in auto mode), set the self-timekeeper and apply exposure compensation.
Smart portrait mode automatically releases the shutter when a smile is detected, there's also a blink detect feature which shoots two frames and selects the indefinite in which most people have their eyes staring, and you can also apply a pare soft filter.
At length, the COOLPIX L810 has 18 scene modes. With most compacts forthwith offering prospect detection, individual scene modes are beginning to look outmoded and most of those on the L810 are the familiar suspects – Portrayal, Landscape, Sports, nutrient etc. In view of the fact that justified mobile phones at present fling easy-to-employment panoramic shot modes, the L810's Panorama assistance scene mode, which provides overlays to guide you in shooting overlapping shots which tush later be stitched on a PC, looks especially dated.
The final scenery mode is something a little more up to date, though, allowing you to shoot 3D images by winning two slightly setoff shots – the second one is train automatically. 3D images are saved with the .mpo file extension and can exist viewed happening a suitably furnished with 3D Goggle bo.
Nikon COOLPIX L810 movie modes
The COOLPIX L810 can shoot HD video at 1280x720p resolution at 30 frames per second. Images are encoded using the H.264 codec at an average bit order of 11Mbps. That's relatively low – the PowerShot SX500 IS uses the identical H.264 codec but at well-nig forked the L810's bit rate – indeed the L810's quality won't make up arsenic good, merely IT does have the advantage of allowing you to burst more video on a card – nearly i hour's Charles Frederick Worth on a 4GB menu. There's also a VGA 640 x 480 standard definition mode that records at 3Mbps. Nikon recommends using a speed class 6 card Oregon faster for recording video.
The optical zoom pot be used while recording and is restricted to the slower of its two speeds, which is comparatively quiet, though not quiet enough to avoid its buzz existence picked up by the built-in stereo microphones.
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| Download the primary Indian file (Listed members of Vimeo just) |
The video upper-class on the L810 is bang-up, but fine particular isn't that well resolved which could be a consequence of the low bit order. The flip is blown out but, to be fair, this is a very high demarcation conniption. The autofocus ISN't the least bit happy during zooming and fails to variety itself out when the maximum focal duration is reached.
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| Download the original file (Registered members of Vimeo only) |
For this tripod adorned shot Vibration reduction was disabled. Like the PowerShot SX500 IS and indeed all CCD-supported cameras, the COOLPIX L810 has problems with vivid sunlit sources and there's a purple vertical streak when the camera is pointing into the sun. Again, the clouds are short-winded out just, again, this scene has a very wide range of brightness level levels. The tendency for the autofocus to quickly oscillate during zooming is a ignominy Eastern Samoa it renders the snip off almost unwatchable.
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| Download the original file (Documented members of Vimeo only) |
The character of this is indoor low light panning shot is goody-goody, with little available noise. The metering seems loathe to adjust the exposure when passing the windows, but that's non necessarily a bad thing as the interior is still fairly well uncovered.
Nikon COOLPIX L810
treatment
Nikon has fitted the L810's lens cover to the outside lens gun barrel, with the result that it prevents the lens from extending, risking damage to the camera. If you turn the camera along with the lens cap in situ, a message appears on screen telling you to turn the photographic camera disconnected, hit the lens cap, then turn it on once again, but it would be better all round if they just successful it so that you could turn the photographic camera on with the lens cap in place.
There are some other treatment niggles. The camera takes around 3 seconds to bulge out up which is sulky and in Auto way the only AF option is a small central sphere which is also a little slow to respond. This telephone exchange AF is the default mode in Easy Auto when in that respect are none faces in the frame. Face detect workings well when people are facing the camera in dependable light-colored and within a scope of some 4 operating theatre five metres. Personally, I prefer centre AF to multi area AF, but in a tv camera that's clearly aimed at point-and-shoot casual photographers I think this is a inadequate alternative to multi-area AF equally implemented on the PowerShot SX500 IS and virtually point-and-shoot compacts.
Another thing the L810 doesn't do particularly quickly is shoot video recording. There's what seems like an interminable gap (it's actually 3.2 seconds) between imperative the dedicated record button and transcription actually starting, during which the screen goes black. This is a unfavorable judgment I've made of Nikon compacts in the past and it's something they actually need to address. In an age where several compacts can record video before you've flush pressed the button, to have to wait deuce-ac seconds for transcription to start after you've pressed it just isn't good enough.
It's not all bad news though. The want of manual and semi auto shooting modes means the L810 is a very easy camera to find your direction around. The menus are uncluttered and the controls are straightforward.
The Nikon COOLPIX L810 has a 16.1 Megapixel CCD sensing element which produces still images with a maximum image size of it of 4608 x 3456 at one of two JPEG compression settings. The best quality setting produces images with a file size up of around 6 to 7MB. The ISO sensitivity chain of mountains is 80 to 1600 ISO and the shutter speed range is from 1 to 1/1500 in Automobile modes extending to 4 seconds in Fireworks mood.
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Nikon COOLPIX L810 review
Source: https://www.cameralabs.com/nikon_coolpix_l810/
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